1967 Kraft Musical Hall show with Liza Minnelli and Aretha Franklin. One original print: with Dick Cavett at Mick Jagger's Birthday Party - see Rolling Stones.

Director, Claude Berri New York Times contact sheets, 35mm negs. French film director, writer, producer, actor and distributor. Berri won the "Best Film" BAFTA for Jean de Florette, and was also nominated for twelve César Awards, though he never won. Berri also won the Oscar for Best Short Film for Le Poulet at the 38th Academy Awards in 1966, and produced Roman Polanski's Tess which was nominated for Best Picture in 1981.

Director, Peter Brook published Jan. 9, 1966, NYT play "The Persecution and Assassination of Marat as performed by the inmates of the Asylum of Charenton under the directon of the Marquis de Sade." https://timesmachine.nytimes.com/timesmachine/1966/01/09/issue.html He was called “the greatest innovator of his generation,” leaving an indelible mark with plays, musicals, opera and a relentless curiosity. https://www.nytimes.com/2022/07/03/obituaries/peter-brook-dead.htm

Original print. Harold Edgar Clurman (September 18, 1901 – September 9, 1980) was an American theatre director and drama critic. In 2003, he was named one of the most influential figures in U.S. theater by PBS. He was one of the three founders of New York City's Group Theatre (1931–1941).

Director, Jules Dassin in 1961 and with his wife, actress Melina Mercouri, filming "Phaedra" most likely on Hydra. 35mm color slides Prolific film director: 1948, The Naked City 1950. Night in the City, Rififi, 1955, In 1960, he directed Mercouri in the popular film "Never on a Sunday." Uptight, 1968 The Rehearsal, 1970

Director, Emile de Antonio Andy Warhol shoot of film "Drunk" staring Di Antonio. 1965 and in The New York Times, Oct. 17, 1971 "Eat Drink and Make Millhouse"and for his obituary in 1989. In January 1965, over drinks at the Russian Tea Room, the documentary filmmaker Emile de Antonio (Point of Order, In the Year of the Pig) warily agreed to collaborate with Warhol on a movie. Believing their politics and art to be absurdly different, De Antonio instead gamely proposed to drink an entire quart of J&B scotch in 20 minutes under the unflinching, voyeuristic gaze of Warhol’s camera. Their Factory session, recorded in this film, instead lasted 66 minutes, its grand finale a reckless and grandiose De Antonio writhing on the floor, clawing the walls, and speaking in tongues. Warhol would later recall in Popism that “Rotten Rita, who was hanging around, said, ‘Marine Corps sergeants keel over dead from that. Your liver can't take it.’ But De didn't die, and I called the movie Drink so it could be a trilogy with my Eat and Sleep.” from MOMA Emile Francisco de Antonio (May 14, 1919[1]:3 – December 15, 1989) was an American director and producer of documentary films, usually detailing political, social, and counterculture events circa 1960s–1980s. He has been referred to by scholars and critics alike, and arguably remains, “…the most important political filmmaker in the United States during the Cold War

Bob Fosse, The New York Times, published April 29, 1973. "From Tony To Oscar to Emmy?" https://www.nytimes.com/1973/04/29/archives/fosse-from-tony-to-oscar-to-emmy-bob-fosse-will-he-go-from-tony-to.html

Director Elia Kazan On set of "Splendor in the Grass" in Staten Island, New York. 1961

Film director, David Lean Opening night party for Dr. Zhivago, 1965 35mm film and contact sheets includes: Omar Sharif Julie Christie Sophie Loren Carlo Ponti Geraldine Chaplin Rita Tushingham Tom Courtenay

Director Sidney Lumet directing televised theatre. with Norma Connolly and Ron Taylor "Danger" 1950-1955

LUV, Booth Theatre, 1964 Mike Nichols, Director Eli Wallach, Ann Jackson, Alan Arkin, writer Murray Schisgal. "The Apple Tree", 1966 backstage at the Shubert Theatre with Barbara Harris 18 35mm color slides

Newsweek cover shoot, 1972 Director, producer: The Public Theatre New York Shakespeare Festival August, 1972, New York Times Produced by Joseph Papp Directed by AJ Altoon Sam Waterston The Happiness Cage 10/4/1970 New York Times Joseph Papp production Lewis Stadler and Ronny Cox Trelawney of the Wells 10/4/1970 New York Times Joseph Papp production. Nancy Dussault, Dean Santoro

Director, Bob Rafelson, New York TImes, 1/7/73 Robert Rafelson (born February 21, 1933) is an American film director, writer and producer. He is regarded as one of the founders of the New Hollywood movement in the 1970s. Among his best-known films are Five Easy Pieces (1970), The King of Marvin Gardens (1972), and The Postman Always Rings Twice (1981). He was also one of the creators of the pop group and TV series The Monkees with Raybert/BBS Productions partner Bert Schneider.

Director, Richard Rodgers See IMAGES OF RODGERS AND SHOWS IN THEATRE. Four photo shoots. -rehearshing "Flower Drum Song" -"Do I Hear A Waltz" 1965 "No Strings" 1962: Diahann Carroll, Richard Rodgers Rehearsing "No Strings, " 1962 Large archive, original prints, negatives, large format color transparencies of entire cast in costume, portraits of Rodgers. With Danny Kaye, 1970 "Two By Two" And archive: AND 1954 Salute to Rodgers and Hammerstein: General Foods 25th Anniversary Show. The special was hosted by Groucho Marx, Mary Martin, Jack Benny, Ed Sullivan, and Edgar Bergen with his puppet Charlie McCarthy.Tribute to the then-ten-year partnership between composer Richard Rodgers and librettist-lyricist Oscar Hammerstein II, presented by General Foods, celebrating its 25th anniversary. Featuring many original cast members, the special featured musical sequences from all of the R&H shows up to that time: Oklahoma! (1943), Carousel (1945), State Fair (1945), Allegro (1947), South Pacific (1949), The King and I (1951) and Me and Juliet (1953). Richard Rodgers and Oscar Hammerstein, Jack Benny, Edgar Bergen, Yul Brynner, Noel Coward (in audience. Image re-sold for back jacket of a biography), Rosemary Clooney, Mary Martin, Tony Martin, Mainbocher (couturier in audience), Enzio Pinza, Groucho Marx, Ed Sullivan

Film director, Roberto Rossellini for The New York Times, 1974 Contact sheets, 35mm b&w film "Roberto Rossellini Arrivederci, Roma and Hello, Yale" The director of such classics of the Italian cinema as ‘Open City’ and ‘Paisan’ is now teaching at Yale. ‘I haven't the slightest interest in my past work,’ he says." https://www.nytimes.com/1974/03/10/archives/roberto-rossellini-arrivederci-roma-andhello-yale-the-director-of.html

Actor, George Hamilton and Director Dore Schary Film: Act One (Moss Hart), 1963 directed by Dore Schary NYC scenes, Booth Theatre, Everglades Bar 9 contact sheets Isadore "Dore" Schary (August 31, 1905 – July 7, 1980) was an American motion picture director, writer, and producer, and playwright who became head of production at Metro-Goldwyn-Mayer and eventually president of the studio during the 1950s

Director, Michael Schultz Prolific film Director, Negro Ensemble Co. New York Times, January 30th, 1972 "As its second venture of the 1971‐72 season, the Negro Ensemble Company is offering a “Works in Progress” program next month under the direction of Michael Schultz." "I had moved to New York after studying theater at Marquette in Milwaukee, where I grew up. My wife and I were working with the McCarter Theater in New Jersey when Douglas Turner Ward and Robert Hooks were just starting the Negro Ensemble Company. My wife suggested I drop my résumé off with them before we went on the road to do a play that she was acting in and I was directing. Douglas Turner Ward ended up coming out to Yellow Springs, Ohio, to see it and offered me any of the plays in the Negro Ensemble Company’s opening season. I chose “Song of the Lusitanian Bogey” [Peter Weiss’s drama about Portuguese colonialism in Angola], which ended up being their very first production." He has directed more than a dozen films, including the classics “Cooley High” (1975), “Car Wash” (1976) and “Krush Groove” (1985); is responsible for the first feature-film appearances of Denzel Washington, Samuel L. Jackson and Blair Underwood; and has worked consistently in television since the 1990s..... he is probably the longest-working Black director in history. https://nyti.ms/3euf8FQ https://www.nytimes.com/2022/09/01

Paul Sills, Director. Extensive original print archive. 1961 Second City Theatre. Saturday Evening Post. John Sellers and others

Director, Billy Wilder Actor, Jack Lemmon Filming The Apartment 1959 in NYC. 1 original print and 35mm negatives Park bench scene at night. Scene with MacLaine in Manhattan, discussing script with MacLaine, With Shirley MacLaine, director, Billy Wilder. Also associate producer and co-writer, I.A.L. Diamond.