Sound sculpture and musical instrument inventors, Bernard and Francois Baschet 1966 for The New York Times two contacts, two 35mm sleeves From Wikipedia: The Baschet Brothers were two French artists named François Baschet (born 30 March 1920, in Paris; died 11 February 2014) and Bernard Baschet (born 24 August 1917, Paris; died 17 July 2015[1]) who collaborated on creating sound sculptures and inventing musical instruments, such as the Cristal Baschet. François Baschet was a sculptor and Bernard Baschet an engineer. The Baschet Brothers invented the inflatable guitar, the aluminum piano and many other experimental musical instruments. They created an "Baschet Educational Instrumentarium" for exposing young people to musical concepts. The Baschet's research started in the 1950s artistic turmoil, soon turning the two brothers into the pioneers of sound sculpture, in addition to making them highly requested by musicians, composers, experimental directors. The quest for new sounds led the Baschet brothers to combine new materials of the time, usually through folding metal sheets into geometric shapes. Their sculptures range from small folded sheet metal of a few centimeters up to structures several meters high with loud, impressive and complex sounds. Their exhibitions were shown in prestigious museums throughout the world – the United States, Japan, Germany – as well as in small villages in France, always with the aim of making art accessible to all. The work of the Baschet brothers of making sound art accessible to all continues through the official association, established in 1982: the Baschet Sound Structures Association (originally "Structures sonores et pédagogie", it changed its name in 2012). The association has the support of the Baschet family and has an exclusive licence for creating some of the Baschet reproductible works.

Cecil Beaton, Monte Carlo, 1970. Cecil Walter Hardy Beaton CBE (14 January 1904 – 18 January 1980) was an English fashion, portrait and war photographer, diarist, painter, and interior designer, and an Oscar–winning stage and costume designer for films and the theatre.

artist, George Daynor, 1951 Vineland, NJ 2 11x14 1951 prints 2 1/4 Black & White negs. Two sheets The Palace of Depression was a building made of junk that was located in Vineland, New Jersey, built by the eccentric and mustachioed George Daynor, a former Alaska gold miner who lost his fortune in the Wall Street Crash of 1929. This amusement was known as "The Strangest House in the World" and the "Home of Junk" and was built as a testament of willpower against the effects of The Great Depression

Artist Willem de Kooning Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried. 1972 shoot for Newsweek Magazine. Over 100 color images are available: in his studio, in his home, working on paintings and sculptures. Portraits.

Artist,Joseph Kosuth, 1968. Kosuth is one of the pioneers of Conceptual art and installation art, has initiated language-based works and appropriation strategies since the 1960s. His work has consistently explored the production and role of language and meaning within art. Image in the catalog: Joseph Kosuth, “Art Conceptuel,” Centre Pompidou, 2013

The artist in his studio, 94 Bowery, NYC. 1968. This appeared in Newsweek Magazine for an article on contemporary artists. Ronnie Landfield (born January 9, 1947) is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction, (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. In 2011 he was described by the LewAllen Gallerie as "at the forefront of contemporary art...one of the best painters in America." http://ronnielandfield.com/biography/ https://www.youtube.com/watch?v=mbd-3ZgPsss&ab_channel=DuochromeFilms

1970, for Vogue Magazine "Painting and Sculpture" exhibit Alexander Semeonovitch Liberman (September 4, 1912 – November 19, 1999) was a Russian-American magazine editor, publisher, painter, photographer, and sculptor. He held senior artistic positions during his 32 years at Condé Nast Publications.

Georgia O'Keefe, 1970 Whitney Museum retrospective, 83 years old. For the New York Times. Many images available.

Adolph Dietrich Friedrich Reinhardt was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists and part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism. Ad Reinhardt was one of the most relentless defenders of the purity of abstraction. “The one object of fifty years of abstract art is to present art-as-art and as nothing else…making it…more absolute and more exclusive—non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective,” he argued in 1962.1 For Reinhardt, this manifested as an evolving effort to strip his paintings of everything external to the fundamental fact of paint on canvas. His unyielding stance and the work it generated situate him as an oppositional, often antagonistic, member of the New York School. Born and raised in New York, Reinhardt studied art history and philosophy at university in the 1930s, and began painting around 1936.

Artist Larry Rivers One original print, no other information.

Artist, Norman Rockwell in Stockbridge, 1959, Saturday Evening Post original captions Extensive archive in color and black & White 20 original prints 4x5 color transparencies 55 35mm color slides 35mm negatives autograph

Artist Richard Serra, 1968 Newsweek Extensive color file

Icelandic sculptor, Ásmundur Sveinsson Ásmundur Sveinsson Sculpture Museum is the former home and workshop of the sculptor Ásmundur Sveinsson (1893-1982). The museum serves to preserve his work and life, and displays the largest collection of his sculptures both inside and outside the building

American artist Andy Warhol is photographed pressing the shutter-release button of the camera in a collaborative portrait with photographer Lawrence Fried. The Factory, NY, NY, and at Bell Laboratories, New Jersey, January 1965. Originally contracted by The Saturday Evening Post but they decided not to publish the article . These are never-been-seen-before images. They include portraits that are a collaboration between Fried and Warhol with Warhol pushing the shutter release. Images include: Billy Name (Linich), Philip Fagan, curator Henry Geldzahler, the director Emile de Antonio, the playwrightTennessee Williams and Bill Kluver and others at Bell Labs. The shoot covers the filming of "Drunk" with Emile de Antonio. Images of the mylar pillows; paintings include Liz Taylor, Flowers, Suicide and more.